Authors

Olly Crick

Files

Download

Download Full Text (255 KB)

Description

This chapter proposes that the dramaturgic flexibility within historical Commedia dell’Arte was predicated on a performance methodology that demanded a changing pattern of othering, depending on the class, economic strength and region of their audiences.

Publication Date

2023

Publisher

University of Connecticut

City

Storrs

Keywords

puppet, representation, race and ethnicity, Commedia dell’Arte, dramaturgy, local theater

Disciplines

Arts and Humanities | Other Arts and Humanities | Other Theatre and Performance Studies | Race, Ethnicity and Post-Colonial Studies | Theatre and Performance Studies

Commedia dell’Arte: The Mechanisms of Othering

Share

COinS